Excellent.

However I do wish it was bread/gold leaf/my belly

This is awesome. Reminds me of a show by Travis Millard with resin pancakes

Thank you! I just him up, that's some seriously awesome work.

Forbidden snack

great job... kintsugi is a nifty procedure... nice way to translate it to toast... keeps catching my eye... really dig it... thanks for that one.

This goes beyond cultural appropriation.

I hope the artist knows that this is a shocking piece.

I'm almost serious here.

Because what is Kintsugi ? Kintsugi is the concept that you can make a broken thing more beautiful after repairing it. And usually you'll use gold to repair a more fragile material, so it's not like it's a process that makes sense in terms of craftsmanship. There's an almost religious aspect that pertains to old objects in some cultures.

Is the piece of toast a dragon undergoing a metamorphosis ? Have we angered a primordial spirit of the world by breaking the toast ? Is the toast representing that part of sacredness that the Japanese culture would attribute to the old pottery ?

That piece of toast is giving me a bit of a think.

edit: serious question, how hard/expensive would it be to make a realistic piece of toast out of resin and then weld the thing, without having any bread in there at all. Because I wonder how long the bread will stay that way, even encased in resin. Maybe it just keeps ? Like the mosquito in OG Jurassic Park ?

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Can you send me your plug's number

Interesting take! You have certainly given me a lot to think about, especially in terms of cultural appropriation. My intentions with this piece were to explore the process and philosophies inspired by Kintsugi. This piece is one of many in a series I'm currently working on, "The Daily Bread". One of my personal rules of this project is to finish each piece to completion, no matter what might happen to the bread along the way. I've been so consumed by this project, that the breads have become like sacred objects to me (and also have become my friends). Dried bread is very fragile, there have been many near casualties along the way. I keep exploring new processes and techniques to incorporate those mishaps into the final pieces. I was hoping this piece falls more into "cultural appreciation" category, but I know I am definitely toeing a line.

For your serious question, I'm not entirely sure how expensive it would be off the top of my head. I made a silicone mold from bread at one point, and made a few resin bread casts. It wasn't toooooo difficult, if I remember correctly. I do intend to explore that process again at some point though! I haven't tried welding yet, so that could be a fun adventure.

As far as the longevity of the bread goes; I have some preserved breads left from the original series I did in 2017, they still look the same. I actually smashed one open last year to check the insides and they also seemed fine! Not sure how it would look under a microscope though haha.

Good old orange bud. Your local guy has it.

Hell yeah brother

There will be someone. There is always someone haha. I will make sure to let you know when it happens.

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I was asking just because I wanted to know more about your process, no judgmental intentions on my part. I'm using the phrase "cultural appropriation" very loosely, because I think it's usually ridiculous to accuse artists of that.

I was right on the money for the sacredness though! the love that's given to the subject carries through to the viewer very well. I mean, it's bread. It's not that hard to love bread. It's a powerful subject.

I'm glad to hear resin works well on toast. I was asking about that because I tried to encase perishables back in the nineties but I didn't have access to epoxy and stuff like that so whatever I tried didn't work too well...

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Clever. I hope you made a full piece of bread and dropped it. Instead of casting two pieces of bread. More fitting with the art of kinsugi. I still like it

Thank you! This bread was originally a toasting experiment that ended up falling apart in my hands. I was inspired by Kintsugi to salvage the bread and create something new.

I promise you I would try to eat this

This is brilliant. Seriously.

I hope you have a whole Kintsugi food art portfolio. This is great!!

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Me too, to be absolutely honest.

The most basic of foods. The staple of many cultures. A straight grain, ground to powder, reconstituted and baked into something new-- the shapes they take vary, from naan to piita to tortilla to brioche, the fiber they're made of varies, but again and again it arises.

Wars have been fought over it. Famines spring for the lack of it. We build our sandwiches, we start our days with toast.

What is bread, if not the embodiment of our hopes for the harvest? What is a slice of toast, but the collection of every hand that carried it to where it ends? Beginning like as a seed harvested from crop, tended with care if not love, by machine if not man, engineered over generations to grow larger and stronger than it ever would have alone, spread over more of the earth than nature ever would have carried it; cut low and given new life, ground down into something new to reach the ultimate of it's potential; mechanically cut by machines engineers spent hours putting together, years after the design was made by someone else; packaged in the reconstituted flesh of the ancients that has been processed into immortality and sent on it's way by the liquid form of more of the same. What is a piece of bread if not the result of every step to make it?

Bread is a holy thing. Just look at any harvest god.

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What’s this kind of art called? Post-industrial? End capitalism??