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drumnbird t1_iyba1cq wrote

Groups of 4 and 3, or 3 and 4, or at it’s base level, groups of 2’s and 3’s

How do u know it’s 7/16 and not 7/8, or 7/4?

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geoscott t1_iybabpg wrote

Septuplets

7 16th notes over each beat. 7 16ths over 4 16ths.

Also, “fell”?

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randallhobbsart t1_iybjfip wrote

Why do you want to do that? Is it difficult to play? Seems like you wrote a complicated tune. I love crazy time signatures.

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adhdtrashpanda t1_iybneki wrote

Sometimes I'll count it like "123, 1234" or "1234, 123" also placing an accent on the 1, 3, and 5 can help give it a bit more of a groove

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drumnbird t1_iycv8kt wrote

So u have to take the 16th notes in 4/4 as the new pulse in 7/16 or 5/16, then the 8th notes in 4/4 for the 3/8 pulse. This is provided that there are no markings stating otherwise.

If these time sig changes are consecutive bars, 7 + 5 = 12/16 which is equal to 6/8. Add the 3/8 bar and it’s 9/8 total. But, without seeing the chart, this way of thinking may not work do to rhythmic phases within 7, 5, and 3/8. My guess is that this is true or it wouldn’t have been written that way. In the end it’s a great exercise in counting. Once you sort it (go slow), it won’t be so bizarre.

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