uniqueusername209 t1_iwd504k wrote
How do you keep a story coherent through different subplots? I try to have multiple storylines but end up with them confused and unresolved.
franhawthorne OP t1_iwdexvp wrote
A detailed outline, plus the Search function! My outlines are so detailed that they're color-coded. (Okay, this is slightly embarrassing.) For instance, in the outline for my newest novel "I Meant to Tell You," any subplot involving the protagonist Miranda's strained history with her future father-in-law is highlighted in red in the chapters that reference it. The subplot about Miranda's effort to expand her job is in blue in those chapters.... and on and on. So when the characters go off on their own and rip up my original outline (as they always do), it's easy to find the places that need changing.
I hope this helps. Thanks for being part of this AMA.
TheCaliforniaOp t1_iwe0xkf wrote
That’s a brilliant hack to keep track of who’s where, doing what. The image reached my brain and my face started smiling!
That color-coding could be a good self-therapeutic tool as well.
franhawthorne OP t1_iwief3a wrote
I'm glad if my idea helps. (Be warned that you may need more colors than you expected.)
TheCaliforniaOp t1_iwm8t5u wrote
“It’s a 64-box plot!”
uniqueusername209 t1_iwdl95r wrote
This is extremely helpful. Thank you so much for the reply!
franhawthorne OP t1_iwiegck wrote
Glad if I can help another writer
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