Submitted by thor_Alf t3_ydq77z in headphones
As the title says, if you could one bring one track to a testing session with different headphones, which one would it be and why?
Submitted by thor_Alf t3_ydq77z in headphones
As the title says, if you could one bring one track to a testing session with different headphones, which one would it be and why?
YUC'e... I see you are a man of culture!!
I use the Toy Frappe EP myself hahahaha
I've had this song on repeat for 2 hours now.. please send help
I can 100% agree that this is a really interesting song to try headphones out with though. I was using some HD660s and a FiiO K3, as a quick and dirty setup at work, but I'm going to spend some time tonight to see how it is with some other pieces
There’s no accounting for taste…
Great timing, I happen to be at my desk with three IEMs of vastly different price points in front of me and been trying to compare the top two. The 1:14 percussion was especially different across them.
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Totally agreed with this. There's way too much going on.
It's actually pretty well-mixed and everything fits into the frequencies well, but yes, it's very busy.
But BECAUSE it's well-mixed and busy, it's a good measure for it. My Ananda have no issues keeping everything well-defined and separate, and it sounds great. Meanwhile, if I throw my HD6XX in to listen to it, it's suddenly a muddy mess with no definition (Though that's kind of that headphone in general).
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It depends on what you're trying to test your transducers for.
Though well-mixed or not wouldn't really affect your source gear, I can't think of any modern amp or DAC that would be affected by genre. Digital signals are well-within the limits of accurate reproduction of any device that wasn't made like garbage.
The standard definition would be "the ability to render small-scale volume gradations." What I actually listen for is how clearly a headphone/IEM can reproduce the S and the K in this track. With something with poor microdynamics, at least one of those will get drowned out due to unevenness in said gradations. The midrange and upper bass also influence microdynamics, though, so I use a separate piano track for those and focus on the initial attack.
Also, it's precisely because the track is so busy that it's an effective stress test for gear. Generic Jazz Track in Audiophile CD Compilation #26 is comparatively poor for testing sound quality because it's undemanding and sounds good on everything, being slow-paced, relatively simplistic, and midrange-centric.
It's 2 for 1 special today, I'll give you two :)
1- Eagles - Hotel California version from Hell Freezes Over: The pinpoint accuracy of the horizontal line up of instruments and vocals and the encompassing low ends with the thump and control. If I can visualise the stage when I close my eyes with a sweet/warm sound signature. That is an enjoyable headphone.
2- John Mayer Trio - Out of My Mind: Just three guys playing their instruments with sparkly clean precision and feel. If a headphone can give you the feel of the control of the frequencies at the lows and highs while you can hear the song without uncomfortable booms from bass guitar and piercing snare hits, that is an enjoyable headphone.
Just my two cents...
>John Mayer Trio - Out of My Mind
Sounds lovely and silky on my Empyreans.
wow. actual songs. nice
Of course this is impossible, but if a person were only given 5 minutes to evaluate a headphone, they should pick something in their favored genre that they are familiar with and is recorded impeccably. So for me (a classical aficionado) I guess it would be this digital recording of Mozart's Eine Kleine Nachtmusik by Karajan/Berlin Philharmonic:
It has wonderful detail, rich bass notes, and it's just fun to listen to.
But the real answer is that I have 20+ go-to tracks across many genres, because 1 simply isn't enough. There's so much to check. Percussion, sub-bass tones, male and female vocals, instrument timbres, synthetic sounds...
Eh, you are probably better off with a track with a host of specific issues and qualities that you could test against. Hot treble to test for spikes, various instruments in mids to test timbre, something deep bass in the bass but also midbassy to test for elevation and spikes, range of male and female voices since that will also help you catch anything unnatural in the mids, and loads of percussion. Tape it vinyl clicks could also help with testing instrument separation.
Pink life by pink guy
Slammy bass meme value and not a shitty song
Bury the Light
1: Motivation
2: Motivation
3: Motivation
Now I'm a little motivated
I prefer the dead weight's song Devil Trigger
TRUE - “Sincerely” from Violet Evergarden. The s- and t-sounds in that song are crazy difficult to control and they can sound sibilant really easily on less than ideal headphones. If the headphones’ got spicy treble? This song will literally kill your ears. If the headphone has excellent high frequency control and can tame the harshness of those S-sounds? The song will sound amazing. This song is what I use to test headphones, because if it sounds sibilant or harsh, instant disqualification.
Headphones that have passed the test: Denon D7200, Sennheiser HD660s, etc
Probably a weird one: King - Florence+The Machine
There is no track that is as hard to get right on headphones as this. You get a bass quality and eftension check right at the start, the female vocals throughout expose any flaws in the midrange quite well and the few high hats in the song are separated enough for you to really pay attention to them. The biggest point is state and separation tho. I cant put my finger on why this is the case, but this song needs a decent stage and good separation more than most classical to my ears.
Just added this to my test songs playlist.
Have you ever tried the 7hz salnotes with this song?
I listened to it using the pair on Spotify and it sounded amazing for me but I'm not really good with being able to distinct a bad from a good pair so I wanted to ask how you felt about it so I can understand it better
I havent tried the Salnotes yet unfortunately :/
War Pigs - Black Sabbath. I just like the song.
Zenith by Geoxor
It was the one song that let me find a difference between the Truthear x Crin ZERO and the Master & Dynamic ME05 mainly due to the lows in it. That and it just slaps as a song.
Holy cr%#! What a song. Glad I didn’t listen to it on headphones with lots of bass. 👍
I want to find the most bass heavy headphones and play that song through them :D
It will blow your mind! My 990s nearly killed me.
Steely Dan: Caves of Altamira
Probably if I had to choose just one, it's Alice Coltrane's Journey in Satchinananda. Fat yet cleanly recorded bass, and with the rest of the instruments there's just so much texture and placement. Tons going on, yet also tons of space. Great recording, and I know it very well soit works great in an evaluation, if you can keep from trancing out entirely.
Definitely something from yosi horikawa, probably bubbles, it is the perfect track, it's a great recording and can be used to measure frequency response but also soundstage and imaging, its not a super full track so you can test instrument seperation as well, the only thing it doesn't have is a super deep bass but for the rest it covers everything. It's not an impossible track to play but gives a great response on what a headphone or speaker set is capable of
I love his work. Letter is already on my list for imaging and soundstage.
Painting is another good one.
I was on a paddle with my stand up board and I heard Bubbles for the first time as it randomly popped up in a Spotify playlist. Just epic, clean, pure, fresh and very well produced. Yer right it’s not got the deepest lows but the sound stage is so full and wide even on my cheap BT iems.
The ending of the 1812 overture, particularly the recording of the Saint Louis Symphony Orchestra with Leonard Slatkin.
It has enough soundstage to test staging and imaging, covers a wide dynamic range, will show off the headphones' timbre, gets so busy that even the most detailed headphones will be pushed to their limits, and shows bass impact and sub bass extension with the cannon shots.
Sinus by Mats/Morgan
Atmos Amaze demo, on a certified device. its mixed for reference, so you will encounter clipping if your amp is not up to the task, which is a nice bonus, and it goes through all the works, bass, imaging resolution and its short enough, that you have a chance to remember everything, when you compare headphones, and at some point you will know this better than any song
Edit: obviously you need a proper source for this, youtube is just mixed for -14 LUFS like everything else.
Demo Bluray, or a Pc with the Atmos for Headphones App
La Grange, ZZ Top. That opening drum sequence tells me all I need to know about whether the headphone does what I like
Anything from Random Acess Memories It's a very well mastered album, and I have listened to it countless times and with many headphones so I know what to look for
Your Latest Trick - Dire Straits
I have 2.
There are a lot of background noises in this recording that cannot be heard through most speakers. There is a good amount of echo and spaciousness in the track which gives a good indication of soundstage and imaging (I should feel like I’m outside with wind rushing past me). I know the track well and know exactly what I’m looking for. There is growling and background vocals that just aren’t audible on most headphones and speakers.
Her music is masterfully recorded, and I could pick any of her songs to demonstrate imaging, but my favorite is this one. About halfway through the song, there is some shuffling sound that, on a good set of headphones, fools me into thinking there is someone in another room behind me messing with stuff. There are other sounds in the song that also sound like they’re coming from other rooms to my left and right. If it fools me and freaks me out, then I know the headphones have good capability.
This isn’t the recording I’m talking about, but the song is hott. To hear the one I’m talking about, you gotta find the studio recording.
W FKA twigs recommend
Huh?
I just meant good artiste to recommend
Jeah
Excellent tracks! Thanks a lot for the recommendation.
Almost anything produced by mutt Lange.
Thanks guys! I have added a few tracks to my reference list and I know what to look for. 👍
Verkligheten by soilwork. It’s my go to benchmark for detail retrieval and imagining soundstage. There is a subtle crunchy sound that rotates 360 degrees around you that I’ve only heard a couple headphones reproduce.
Susvara, empyreans, utopia, and verite were all able to do it, utopia did it the best and the other three it went in and out a little.
Notably the lcd4 could not which was surprising to me. To be fair the detail is specifically in the air region which means tuning can play a part but most headphones and speakers won’t even retrieve it.
Damn you! Now u have me listening for that sound all night. 😂 And yes, I can hear it on my HD800S when I turn the volume a bit higher. Great test song for headphones!
White Noise by Static.
or
I Can't Imagine, by Ormonde
Amon Tobin - Goto 10
Just because if your headphone plays that one cleanly and survives - it's a keeper.
Honestly, Chill Bill - Rob Stone.
It is in No way the best mix or recording but the treble, mids and bass are so clearly separated that its become my go to!
The bass will shake any system, headphones or speakers. A lot of brighter headphones will sound like they're about to break or super loose and boring.
The treble. Is it piercing your ears or does it fit in with the rest of the frequencies?
This song lets me discern which type of FR the headphone manufakturer is aiming for.
Not a song, but this thunderstorm recording reveals flaws in every headphone I’ve tried with it:
Great idea! I’ll add it to my list.
(BECK)Mongolian Chop Squad - Spice of Life
Does one need lossless or can you just fire up Spotify for these?
Demons theme by LTJ Bukem. 1. Pe 2. ri. 3.od 😀
Huarache Lights by Hot Chip
Lifetime by Swedish House Mafia has been a really good one for me. Im not an audiophile or good with words so please bear with me 😂
1: i think it has a good variety of highs and lows, bass and treble at different frequencies so you can really get a sense of the range your headphones can really hit with it.
2: I feel like the song can show how well your headphones can show off soundstage. Theres a lot of “movement” if you will as far as vocals go and the direction of sound
3: who doesn’t like SHM?
Evanescence - Hi-Low. Loved the vocals on my Beyer DT 880 pro and Sennheiser HD660S. Tried it on a Bose QC something and the vocals were bleah! Plus this track has both highs and lows as the name says :-) Ideal track to test headphones on!
Oxymore by Jean-Michel Jarre Lots of stuff going on. Piercing highs, hard bass punches, subtle details and excellent for localization since everything seems to be moving around you all the time.
Pink Floyd's Echoes, its just my favourite song and have listened to it tons of time, no other reason.
渡口by蔡琴
How Big, How Blue, How Beautiful - Florence + The Machine. You can probably tell that I am still fairly new to the headphone game but MAN does this light up my headphones and the strings are phenomenal.
Crash Into Me-Dave Matthews Band. Layered, nuanced sonically.
Fifty fifty clown by the cocteau twins .
Just in the first couple of seconds it goes from very low bass to a lush section that require the best mids and highs to sound as good as it can sound.
Great track to test headphones when you are shopping around.
Pink noise is best according to harman research
Natural science by rush. All of the progressive elements. Just got my first Decent pair of headphones recently and this has turned into my favourite rush song. Crazy how much a nicer pair of headphones made me appreciate this song.
Wind and Anchor by The National Parks.
It's so open and well-separated that it's easy to pick an instrument and listen for the little details I know should be there--my favorite is the little boom of reverb from the mutes lifting off the piano strings. It has both male and female vocals (separate and together), acoustic guitar, violin, piano, light percussion. It's also just a gorgeous song. Maybe not the best bass test though.
Runner-ups go to Floya - Wonders and Rationale - Phenomenal.
One track is not enough...
Alice in chains unplugged, brother.
Woods of mystery - Theophany
This track is very immersive and has a lot of different sounds. Imo it can test most aspects of a headphone.
Immersive staging with sounds moving around the mix.
Different bass sounds like low tumbling rumbles to bell like low percussion.
Sound FX like chirping animals, fast breathing and walking.
I honestly don't have a singular song... I have a playlist of songs across various genres that tackle various things like looking for sibilance, bass slam, sub bass rumble, imaging, soundstage and separation and overall tonality and timbre adherence. Some of the songs are:
Ebo Taylor, Pat Thomas, Henrik Schwarz - Eye Nyam Nam 'A' Mensuro (Henrik Schwarz Blend)
Dua Lipa - Future Nostalgia LP
Daft Punk - Contact, Giorgio by Moroder
Osibisa - Sunshine Day, Ojah Awake, The Warrior
Fleetwood Mac - Dreams (2004 Remaster)
Hugh Maskelela - Coal Train (Stimela)
Billie Eilish - Live at the ThirdMan Records Vinyl LP
And so many more @ u/thor_Alf
Anecdotes by Joanna Newsom. Very busy track with a lot of acoustic instruments, a varied vocal, some warm synth pads near the end. This is one of several tracks I try with new headphones, I don't actually know if it gives a good indication of how they will perform but I'll notice immediately if they trip up.
Cobblestone Jazz - India in Me
Ricardo Villalobos’ version of “Everywhere you go”
For me personally, Trifonic - Lies is my most important test track because I'm sensitive to treble, so if a headphone makes my ears hurt, that song will reveal it. It also helps with analyzing soundstage, low bass, and imaging. Not a perfect balanced song but it does work well for what I do.
Ramin Djawadi - Paint it Black
Ramin Djawadi - A Forrest (more out of preference than anything)
From Westworld S1 OST
Hans Zimmer - No Time for Caution
Interstellar OST
Pink noise
dongas420 t1_ittq3sz wrote
My #1 most-used test track is Night Club Junkie by YUC'e without a doubt.
The percussion at 1:14 provides a load of information about a headphone's treble detailing, microdynamics, high-end extension, etc. in just a few seconds. TOTL goes TSK!, tribrid IEMs with wispy treble go Tskh., the midrange stuff often has blunt attack and goes Tk!, and low-quality gear with one-note treble goes T! or K!
The basslines at 0:31 and 0:58 are "pure" (no overtones to deal with) and play at different frequencies, making evaluating low-end detail, texturing, timbre, slam, etc. straightforward.
The female vocals thrown in can help identify issues with intelligibility, clarity, midrange timbre, sibilance/hollowness, etc., although there are better tracks for this.