there are currently two movies based HoD that I know of. Despite its trainwreck production, I like coppolas version a lot, for its mood and what it achieves. Also,I guess it gets an easier judgement by deviating so much from the book, which stops you fro. comparing them 'frame to frame'. I recently got hold of nicolas roegs movie from the nineties, in spite of its soso reviews. There are alot of facets from roegs version to appreciate. some of the good parts are a lot of good actors,with good parts. however, because it follows the book more closely, I tend to be more dissatisfied with it.
one of my gripes is the changed start. i can see how they are going for a mcguffin like motivation for why we want to investigate what happened ("what happened to the treasure"). but having marlowe sitting there cocky and healthy, ruins my expectations.. as I read the book, marlowe is this kind of weathered monklike mystic with sunken cheeks, spinning a yarn in the fading light, campfire-like. think peter postlethwaite vibe, godblesshissoul.
people say HoD is unfilmable, because so much of its mood is tied to marlowes internal dialogue. but is that unsolvable..? I think both roegs effort and coppolas, says no - they show a lot is possible. I want more fog, more darkness, more vibrant glowing colors, and I want an outstanding effort from kurtz. i dont blame malkovich, i get the feeling the surrounding environment didnt allow him to 'make a bigger marlowe' -the director must want a 'burning marlowe' for it to happen. I had the same problem with roth's marlowe - the way it was writtwn, i guess he did the best with the source material (roegs, not conrads). with movies like blade runner and phoenix' joker, surely a heart of darkness should also be possible. but possibly horribly expensive, with jungle and africa and tribes.
fifticon OP t1_ixz0xq1 wrote
oh,and usual suspects too.