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hollywooddouchenoz t1_j6fe7vl wrote

Reply to comment by HalpTheFan in Over 2 months ago, I put a video together about the appearance of Heather Donohue's voice from Blair Witch Project (who changed her name to Rei Hance in 2021) and how she was not credited or paid for her voice appearing in Academy Award Nominee, Tár. by HalpTheFan

Let me say although I saw Tar, I don’t know the context where this clip was used. If it was just the audio worked into the sound design— it’s possible it was slipped in by an editor without being officially noted (was it the screams she heard in the park?). In which case there could be a lawsuit here.

Also, I have no doubt there IS a copyright covering the sound and visuals of the original film; and they definitely should have paid a licensing fee to the controlling entity for using it in their production.

In the case of a traditional production made under guild agreements; actors, director, composer would be compensated as part of that licensing agreement process (if the clip used involved visuals or the music).

In the case of licensing materials that were produced outside of those guild agreements, there is often no requirement to pay the talent involved. So even if there was money properly paid, there’s a very good chance that none of it would go beyond the corporation owning the rights (Live entertainment?)

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HalpTheFan OP t1_j6fhxmy wrote

It was also used in the trailer too. So in both instances, it was in the trailer (promotional material) and the final film. Yes, the scene is the screams she heard in the park. It's in the clip I've shared above.

I'm also not sure if Rei is apart of any guild - at least any more but at the time of recording, she may have been.

Also thank you for having a reasonable and forward argument on this, instead of just defending a company that is likely in the wrong. I do genuinely appreciate that.

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hollywooddouchenoz t1_j6fp3s3 wrote

The interviews I’ve seen with the cast and producers specifically point out the film could never have been made under SAG rules (since they basically were “working” 24 hours per day). So I’d imagine this film was made outside of any union contracts, and if I were a betting man I’d guess they were paid $1000/day as a full buy out.

That doesn’t mean a good lawyer couldn’t claw back some dough for her: but if she wasn’t able to renegotiate at the height of the film popularity I can’t imagine the $$$$ would be worth the legal fees now.

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