Comments
poeteater t1_jdqpoxq wrote
I went a few nights ago. It's one of my favorites, I've seen it several times in different theaters, and I agree that it was hard to understand the words this time at PPAC. Seemed to be a combination of their tech and some vocal choices. Hope you were able to still enjoy it!
quinnkurk OP t1_jdqu1x4 wrote
Nope. I would have left at intermission but my sister and niece were with me, and they spent a lot of money to be there.
RainbowJay t1_jdr9oqp wrote
I’m a retired sound person and there are many spots in the that room that are completely muddled and dead. The system definitely needs work.
riotous_jocundity t1_jdqrpwn wrote
We went on Thursday evening and it seemed like there was an issue with the microphones, especially Orpheus' mic. Really frustrating given the cost of the tickets!
quinnkurk OP t1_jdqty58 wrote
I’m glad I’m not alone about the sound. I have season tickets and have noticed audio issues in the past, but not enough that it obscured what was happening. I don’t think I’d ever see this play again. (Some of my recent favorites are Come From Away and Jagged Little Pill.)
essbee84 t1_jdqybj1 wrote
I was at yesterday's matinee in the first dress circle, and I definitely had problems understanding some of the dialogue.
Human-Ad2370 t1_jdrarhc wrote
Hadestown is a masterpiece
listen_youse t1_jdrph34 wrote
Going to pay more attention to sound quality as a matter of where you sit. Times I've gone to PPAC sound has been lousy or OK but never very good. Balcony seems best come to think of it.
cowperthwaite t1_jdsqtkr wrote
Balcony, second dress circle, also there on Saturday night.
While I normally complain about the sound quality at PPAC, mostly that the instruments overwhelm the voices, this time, I thought it was fine.
NewlandArcher17 t1_jdwldhk wrote
We went Sunday night. We'd seen the show in Boston at the Orpheum Theatre and I thought it was the most amazing show I'd seen to date. The vocals were flawless. I found last night at PPAC to be too loud at points, at the point of piercing rather than stirring, and vocally inferior to the Boston performance in 2021. But now I am thinking it may have been the audio as you are all suggesting. Though when I have seen Wicked, which has some giant notes, the sound has always been great. We were in the last row of first dress circle.
_DataVenia t1_jdta34l wrote
That's the exact way I feel every time I see a musical at PPAC. Comedy shows are usually fine. But I've left each musical frustrated because I could not tell what the hell was going on.
quinnkurk OP t1_jdtl0fj wrote
I’ve missed words here and there in the past, but I was really lost with this one.
CheapTry7998 t1_jdtbu8b wrote
Pro tip, if you ever want guaranteed (or as close as it gets) audio get your seat near the sound engineer’s booth.
pixelated_dreamer t1_jdu3f7j wrote
Saw it on Broadway last weekend and it gets LOUD, I'm not surprised PPAC's audio got overwhelmed
westernmadarlin t1_je6nd16 wrote
The audio system there is a mess!
Vilenesko t1_jdqr69p wrote
Saw Jagged Little Pill a few months ago. PPAC needs to do a serious audio overhaul. It went from too loud, to incomprehensible at seemingly random times. Something is wrong and they don’t seem to know it.