Latter_Feeling2656
Latter_Feeling2656 t1_jddk5k2 wrote
Reply to How much (or little) do you value the importance of awards shows like the Emmys? by unitedfan6191
It can provide some historic context. From what's written today, you'd think it a complete aberration that Hogan's Heroes made it on the air, but it was nominated for best comedy Emmy three times, Bob Crane for best actor twice, Werner Klemperer for best supporting actor five straight years, winning twice. That level of recognition argues strongly that it was a very mainstream show, and that the show itself should be looked at instead of dismissed because of an uncomfortable concept.
Latter_Feeling2656 t1_jdci04v wrote
Reply to Finding it so hard on what to watch I’ve started so many shows and wanna watch all but I end up getting burnt out near the end of the shows as well by Vast_Scheme5043
The shows are there to be enjoyed. They're not work. So if you're not liking them, go do something else for a while.
Latter_Feeling2656 t1_jdaywtl wrote
Reply to Best and worst opening songs? by ChaingaPaste
Best instrumental: original Hawaii Five-O
Best vocal: Secret Agent
Worst: I don't get how Billy Joel's "My Life" relates to Bosom Buddies
Latter_Feeling2656 t1_jd5desi wrote
Reply to comment by GamblerShinobi in Wondering who has appeared in the most sketch comedy shows? by GamblerShinobi
I don't know. It seems there were 672 episodes of the show produced. It wouldn't surprise if Skelton was in close to 2000. This is on top of a radio career that started about a decade before and continued for about five years after he started on TV.
Latter_Feeling2656 t1_jd3wwin wrote
"Keeping in mind, I'm not talking about who has been in the most sketches, I think that would go to Keenan Thompson from his long career at SNL and All That."
The Red Skelton show was on for 20 seasons, 1951-71. The primetime show finished #4 in the annual Nielsen ratings in 1951-52, #7 in 1969-70, and in the top 20 thirteen other years. Skelton was in every sketch.
Latter_Feeling2656 t1_jcn0njv wrote
It goes along with ever-increasing serialization. It used to be that people only got over-invested in soap operas, but serialization has taken over in most genres so the dependence on shows is spread much more widely.
Latter_Feeling2656 t1_jc4kejs wrote
The Beverly Hillbillies has a complex system of leitmotif evoking different moods and characters.
Latter_Feeling2656 t1_jc1t208 wrote
Reply to Ed O'Neill T.V. Dad by swayzeXpress815
"Is Ed O'Neill the longest running, most popular T.V. dad?"
Popular and long-running are different things. O'Neill seems likely for long-running, but most-popular...sorry...is Bill Cosby. He defined a whole generation of TV dads in the 1980s, which then provoked a generation of satire dads, including Al, Homer, and Dan Conners.
Edit: asking about the most popular is not the same as asking about your personal favorite.
Latter_Feeling2656 t1_jbt1wal wrote
Reply to comment by cmmosher in I just noticed when thinking of the popular modern sitcoms vs the popular sitcoms of the early/pre 2000s, many of the older ones used to be more centered around friends just hanging while modern are workplace set. Why do you think this is? by 3kool5you
WKRP, Wings. Before these, the military shows were also "workplace" shows.
Latter_Feeling2656 t1_jbt0xt1 wrote
Reply to I just noticed when thinking of the popular modern sitcoms vs the popular sitcoms of the early/pre 2000s, many of the older ones used to be more centered around friends just hanging while modern are workplace set. Why do you think this is? by 3kool5you
The dominant sitcom up to about five years ago was The Big Bang Theory, which was a Friends knockoff. There was also How I Met Your Mother, which copied a lot from Friends. The dominant single camera show was Modern Family, which was certainly on the "hanging out" tree. And then there's Curb, where all Larry does is wander around.
Latter_Feeling2656 t1_jbszquo wrote
Reply to comment by Golden_Jiggy in I just noticed when thinking of the popular modern sitcoms vs the popular sitcoms of the early/pre 2000s, many of the older ones used to be more centered around friends just hanging while modern are workplace set. Why do you think this is? by 3kool5you
Cheers was seen as a workplace show, following on Taxi.
Latter_Feeling2656 t1_jar73o9 wrote
Northern Exposure, when Shelley wouldn't shut up singing.
The Simpsons, with the little singing jockeys.
Latter_Feeling2656 t1_jae1aiv wrote
Soap, Season 1
Latter_Feeling2656 t1_ja6dc75 wrote
American sitcoms only: I Love Lucy, All in the Family, The Cosby Show, Seinfeld. Beverly Hillbillies would be fifth.
Latter_Feeling2656 t1_j9qsvbh wrote
Honeymooners: Ralph fears Norton has been injured in a sewer accident; Blackadder Goes Forth: final episode; Cheers: Diane and Sam share their thoughts on Coach's death
Latter_Feeling2656 t1_j9pkk57 wrote
Reply to comment by Latter_Feeling2656 in Taxi, with Judd Hirsch and Danny DeVito, is finally streaming by Downbound92
Just adding: for anyone who doesn't know the Taxi story related to Andy Kaufman/Tony Clifton, it really is worth a listen. Half a dozen people connected to the show are in interviews about it on youtube.
Latter_Feeling2656 t1_j9pgoq3 wrote
It should get more attention. Won the best comedy Emmy three of five seasons. The comic triumvirate of De Vito, Lloyd and Kaufman is outstanding, and Hirsch is great as the stable center of a crazy ensemble.
Latter_Feeling2656 t1_j9kvujg wrote
Murder mysteries have thrived for centuries now because they remove the main witness, so a particularly adept sleuth is required to solve the case. Whenever a woman is the victim, she's usually a pretty girl and everyone knows she's not really being killed, so it's nice to look at the pretty girl.
Latter_Feeling2656 t1_j96ljx9 wrote
Reply to comment by james_carr9876 in It truly is super annoying how prevalent sexism is in nearly all of my favorite comedies from my upbringing. by [deleted]
In 2 1/2 Men, Evelyn, Berta, Rose, and Judith are all portrayed more approvingly than Charlie and Alan are.
Latter_Feeling2656 t1_j95owb6 wrote
Reply to It truly is super annoying how prevalent sexism is in nearly all of my favorite comedies from my upbringing. by [deleted]
"Why can't these shows magically have grown with me.
You have to understand that if Charlie Harper and Barney Stinson were your ideals from the whole history of American sitcoms, then you haven't really "grown." You're just sort of catching up with everybody else. At the very least, you should have something else to show your girlfriend.
Latter_Feeling2656 t1_j8hap17 wrote
I'm not sure how massive - maybe 20% of the audience of the original?
The most recent episode did have a pulse.
Latter_Feeling2656 t1_j7vgcmv wrote
Reply to So I guess the days of wacky, entertaining, product spokespeople (Billie Mays, Ron Popeil, Shamwow guy, etc) selling you bullshit you don't need have ended, huh? I pity Gen Z as they will never know the pleasure.... by Bluest_waters
Ron Popeil took me for a pasta maker.
Do we still have Hunter Ellis for The Atomic Flashlight?
Latter_Feeling2656 t1_j6nkawk wrote
Reply to comment by gaukonigshofen in ‘Laverne & Shirley’ actor Cindy Williams dies at 75 by FJO1989
No, Andy was just No. 1 once, and I think it was the very last season long after Barney was gone.
Latter_Feeling2656 t1_j6kug0e wrote
Reply to comment by GotMoFans in ‘Laverne & Shirley’ actor Cindy Williams dies at 75 by FJO1989
Only 7 sitcoms have been #1 in the annual Nielsens two or more times: All in the Family (5 times), The Cosby Show (5), I Love Lucy (4), The Beverly Hillbillies (2), Laverne & Shirley (2), Seinfeld (2), and The Big Bang Theory (2).
Latter_Feeling2656 t1_jdhd0wo wrote
Reply to comment by TheClearcoatKid in TIL The Dick Van Dyke Show was originally written entirely by Carl Reiner, about stories from Reiner's life, and starred Carl Reiner. The pilot was unsuccessful so it was reworked with Dick Van Dyke playing Robert Petrie. by jamescookenotthatone
The great Sheldon Leonard is the one who actually sat Reiner down and told him that he was the problem with the pilot. Leonard also saved the show after the low-rated first season by convincing sponsors to continue their funding.