Myshkin1981

Myshkin1981 t1_jadpfy4 wrote

Her work and notes did not directly, or even indirectly, lead to the capture of the Golden State Killer. Genetic genealogy led to his capture. They uploaded his DNA profile to a DNA database, where they found several distant relatives. They then used genealogy to trace them all back to a common source, and from there created a list of possible suspects. They then used what they already knew about the Golden State Killer to eliminate possible suspects until only Joseph James DeAngelo remained. This was a shitload of work done by investigators, and Michelle McNamara had nothing to do with any of it

4

Myshkin1981 t1_jad96oy wrote

I understand where you’re coming from, but I don’t think the book was ever actually supposed to be about the Golden State Killer; it was supposed to be about Michelle McNamara’s obsession with the Golden State Killer. Though the marketing has always pushed it as true crime. I too had problems with the book, but ultimately felt is succeeded as a self examination

9

Myshkin1981 t1_jad84ae wrote

I don’t want to speak Ill of the dead, but Michelle McNamara wasn’t any closer to solving this case than any of the thousands of other internet sleuths that have been obsessing over EAR/ONS for decades. Her one and only contributing was coining the term “Golden State Killer”. Her writing helped to renew interest in this old case, her untimely death amplified that interest, and the Golden State Killer was caught right about the time her book was being readied for publication. For these reasons a lot of people ended up thinking she had actually solved the case

8

Myshkin1981 t1_j51c2wd wrote

I agree with this. I still thought the book was worthwhile, especially in its blunt honesty about the burgeoning sexuality of a young gay man. But Vuong is a poet, and you could tell that this book was written by a poet. That’s not a good thing. One shouldn’t approach the writing of a novel as if it were a long prose poem. Every other aspect of this novel suffered for Vuong’s focus on the prose, and as you pointed out, some of the lines he came up with are immature and cringeworthy. Some of those lines might work in a poem, but are glaringly misplaced in a work of narrative prose

5