Scarns_Aisle5

Scarns_Aisle5 t1_j2fqhyb wrote

personally I feel the movie is a designed in a way to always keep the viewer engaged. it has very hyperactive editing and is very flashy (it kind of reminded me of requiem for a dream in that regard)

- but it definitely dragged in the end (I desperately wanted the film to end as soon as it cut to Manny with his new family). There were so many scenes in the last 15 minutes that would have wrapped the movie up perfectly but it kept going

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Scarns_Aisle5 t1_iy5ucx2 wrote

felt kind of the same rewatching Rush Hour. I used to hold these movies up as a gold standard of comedy but watching them with a more critical lens, the jokes were insanely lazy. Im mainly talking about the second one. I hate the whole "you can't make it today" sentiment. comedy movies have gladly moved on from that form of comedy

theres other movies from around that era that are still really funny to me like Austin Powers so this isn't really a matter of comedy tastes changing

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Scarns_Aisle5 t1_itrjeo2 wrote

To me, David Leitch is what Joe Carnahan probably wants to be. In many ways Bullet Train is like Smokin Aces but with more bureaucracy

Copshop was pretty good. Much better than smokin aces (which was fine).

Stretch is certainly an interesting project

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