Rummage to fruition.

Oh yeah, all these rando family members that we had never heard of before suddenly came out of the woodwork. Even a fake long-lost son for Picard, which is kind of hilarious that we now have his real long-lost son on Star Trek: Picard.

True Blood. By the time the witches show up, I was like, "yeah I'm out."

Star Trek: TNG's final season 7 was bonkers as well. There are some amazing episodes in there and an incredible series finale, but some of the stuff in between was truly off the rails where you can tell the writers had just run out of ideas.

Laura Linney has actually never won an Emmy (or any other major award) for Ozark. Nominated many times but never won. She's won Emmys for other projects though.

Ah, I loved this show. I even own it on DVD. Loved the faux-Shakespearean dialogue. Most of the cast were phenomenal, although the weakest element was David and the Princess' romance storyline. Way too network trope-y. A show like Kings would have been way better received now than on NBC circa 2009. Succession meets Game of Thrones meets the Old Testament? Come on!

I call that the homoerotic version of The Craft. So much baby oil...

I think the various Star Treks do try to keep some sense of recurring extras. Voyager did this as much as they could due to the premise of the show. TNG tended to stick to a handful of day players for the helm position and various other background crew. DS9 had Morn. Discovery's bridge crew has more or less stayed the same since the beginning, existing in a weird state somewhere between day player and actual cast.

It's also not a fixed crew, other than Voyager and Discovery because of their unique circumstances. Realistically, most of the crew would only serve a few years at most at a single post before being transferred and/or promoted somewhere else.

I can see it getting nominated for various technical Emmys, but I can't realistically see it getting anything in the major categories. HBO is just too strong. They have Succession, The Last of Us, The White Lotus and House of the Dragon all in contention for the next Emmys.

That horseback riding scene just took me out, and not in a good way. I have a handful of episodes left to watch but I just can't be bothered.

It's Amazon's most watched show ever, but that's not exactly a high bar and the network has been cagey as to its actual numbers. They've spent far too much money into it to cancel it. Unless someone on the inside leaks, we'll likely never know.

Exceptionally good looking in his youth, insanely talented and starred in the biggest movie of all time with perfect timing.

Something about Miguel wanting to give his wife a more prominent role in front of and behind the camera.

Interestingly, he did represent the show at the Golden Globes and made the acceptance speech when they won, so hopefully it wasn't a bitter split.

I remember the two-parter where they went to the Soviet Union for an academic competition.

A transporter from Star Trek.

Don't waste another minute on your crying.

India is in South Asia.

Why was there such a huge gap in between the two halves of the season?

Laura Linney would make a great guest, or invert the trope and make her the resort manager.

Where is "southwest" Asia?

Mike White has indicated he would like it set in Japan, which is in East Asia.

"Favor the Bold" and "Sacrifice of Angels" from Star Trek: Deep Space Nine.

I can still remember watching Atonement in a theatre in 2007 and having that feeling of a sledgehammer hitting my stomach when the twist is revealed. It's just utterly devastating.

Knives Out and The Godfather both look incredible in 4K, so you are missing out. It's not just about the VFX.

I'm watching Gangs of London on AMC+ and so far it's excellent.

I was thinking that too but there aren't that many ads on Tubi, just a couple every 20 minutes or so. Not a bad payoff for a free service.

They were both born in London, Ontario as well.