alaskawolfjoe

alaskawolfjoe t1_j69p7of wrote

But it wasn’t understood as an orientation. It is like today we might describe someone as a thief or an teacher. We do that as a description of behavior. And we might find that behavior abhorrent or admirable.

But we don’t consider it as someone’s orientation. Or even part of their Personality. We are just describing behavior that any human being is capable of.

So just like today you can look at something in someone’s house and say I’d love to swipe that, without being considered part of the thief orientation, one could Be more sensual in one’s appreciation of another person of the same gender, without being considered part of a homosexual class.

You mention the word "queer" but the first recorded use to describe sexuality was not until 1894--and even there is it not clear that sexuality was was being referenced or if we are reading a later use of the word into an earlier reference.

Even "heterosexuality" was defined as an abnormal attraction to people of the opposite sex up until the 1920s. So what we think we are reading is not always what we are actually reading.

It gets more confusing in a Homosocial world, Where the majority of one’s emotional attachments are to people of the same gender.

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alaskawolfjoe t1_j6993h7 wrote

You may want to look at some books on the history of sexuality. The words homosexual and heterosexual did not even exist when David Copperfield was written. They came two decades later and even then were not understood the way we do today.

Attraction and sexual acts existed, but in general they were not seen as markers of an identity or orientation.

This article gives a simple background of the general understanding of the history of our understanding of sexual orientation.

https://www.bbc.com/future/article/20170315-the-invention-of-heterosexuality

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alaskawolfjoe t1_j5jeag9 wrote

A good book designer makes the choices that reflect the vision of the book. A lot of times writers have ideas about what they want. They will mention specific fonts and margins. But if you actually talk to them about WHY they want those things, a good designer can accomplish them better without sacrificing readability.

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