The 1934 version despite deviating from the book, it is decent. The defect is in the judgment when edmond does not defend himself because of valentine. self-survival is something too strong in human beings to be despised.

Very naive for Albert to have accepted Mercedes' relationship with Edmond. He is the man who ruined his family life, even though he was sent to prison for his father. The end could be the lovers' ruenance, but Albert despising his mother and Mercedes being harassed by high French society as Anna Karenina.

The 1922 version erred in making Albert and haydee. He is the son of his father's murderer, even though he is innocent, he belongs to the family of the man who ruined his life and that of his parents. It's not so simple to live with someone like that. haydee belongs to another culture, language and she was not comfortable in France and wanted to return to the east. Albert belongs to another culture and customs, it takes much more than just being a handsome young man for the relationship to work. He has to look at the mentality, socio-cultural issues. She has a similar life history to the count, which allows their relationship to work, they have similar worldviews, haydee matured early, the cout assimilated Haydee's culture and language. Which allows them to have more compatibility.

The 2002 version was a mess. The movie altered danglars and Mondego. The film changed the tripartite division of Dantes' enemies that were the mainstay of the Modern State: financial power, military might and justice. They symbolize all the gears of the French State that brought about the downfall of Dantes

And Mondego shows dishonorable actions of French military who would go to help and were bribed, Danglars who is a banker who uses dishonest means to enrich himself. Corruption among the military and the financial system. France's bases were rotten.

Could it be that because of the Bush administration, they didn't want to portray the military and bankers in a more negative light?

There is the 1979 French miniseries with jacques weber, the 1964 BBC miniseries with Allan Badel.

If the series was in the style of GOT, a protagonist with the style of anti hero, don't question that he has a relationship with haydee because she was his slave. GOt had controversial content. Would be great.

The Count has a dubious moral rather than being a totally pure, self-sacrificing and altruistic character.

The problem with adaptations today is that the writers don't like the source material, they change the moral of the story to add woke content.