I think maybe the class dynamic was stronger but more subtle. The local sex workers trying to scam/get a piano gig, Portia at the beck and call of Jennifer Coolidge, the 'nephew' of the conman choosing being a gay gigolo over his unimaginably bad life in England , the power imbalance of the manager and the girl at the front desk, the Sicilian 'family' F. Murray Abraham visits telling him to piss off, the newly very rich couple travelling with the just regular rich couple highlighting the jealousy between upper and upper upper class. Jennifer Coolidge's arc is that she is very rich and is essentially murdered by people who were historically rich but can no longer afford the upkeep. There's new money, old money and no money. It's all about class